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Narrative interest pales in comparison to the sound and visual experimentation, however. As with The Coming of the Dial, its worth noting that low-budget cinema remained quite close to the silent era and so it is that Pett and Potts unavoidable reliance on a post-synch soundtrack allows the visuals to escape into their own realm and create their own rhythms: a burst of slow-motion straight out of Ren Clairs Entracte; unabashed use of repetition; continually striking montages. Add to this the overall oddness and kooky charm and the short becomes an unexpected delight, quite outside of the documentary norms seen elsewhere on these discs.
6.30 Collection (1934) Dir: Edgar Anstey you can almost read into what you will.
As such Song of Ceylon is also a film which has been maligned for numerous reasons over the years: blatant propaganda; paean to imperialism; vehicle of unknowable exoticism. Yet, to my mind, its the very indirectness of its message that allows this short to avoid such pitfalls. Wright simply observes and lets the material speak for itself, never once making connections in the obvious sense and thus showing his hand (if, indeed, he has one). Admittedly the soundtrack, created entirely after-the-fact, may face questions as to authenticity, especially when giving voice to the locals, but surely the only genuine subversion is that Wright took a potentially banal project and turned it into a stirring piece of cinema, still remarkable to this day.
A Colour Box (1934) Dir: Len Lye
The shortest and most immediate of the sets films, its only the only animated inclusion, though future volumes should feature examples of Lotte Reinigers and Norman McLarens work for the Unit. Len Lye much like McLaren animated directly onto the film stock itself producing flourishes of colour and rhythm that burst into life and are over far too quickly

Male: The sunny side of life - Maldives' seductive call to tourists and honeymooners has also worked its charm on nearly 25,000 Indians who have made the Indian Ocean nation their home. Doctors, teachers, chartered accountants, bank managers, business executives, travel trade professionals - Indians have left their imprint in just about every walk of life in this country of 370,000 people that is making a new tryst with democracy.
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Building upon their professional success, they are now itching to make their presence felt in public life with the India Club - an umbrella organization that brings together all Indians, cutting across caste and language divides, living in the Maldives.
The club, the first foreign organization registered as a voluntary body early this year, is in the forefront in bringing Indians working together on the occasion of festivals like Diwali and Holi and channelising their energies in a range of charitable activities like blood donation camps.
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'We want to bring the Indian community together to give them a sense of oneness. Our Independence Day function was a great success,' Aparna Faujdar, wife of a hotel executive based in Male, told IANS. Faujdar came to the Maldives nearly four years ago and has fallen in love with this country replete with sun-drenched islands, pristine beaches and turquoise lagoons

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