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In fact, much of 'Fearless' sounds like a page torn from 'The Dixie Chicks: The High School Years.' For every mandolin or fiddle, there's an electric guitar squealing or a wash of strings swelling up on the chorus. Only a slight drawl creeps into Swift's vocals, which for some is the definition of country music.
Mostly, though, Swift's charm is her songwriting. She knows how to write a hit. On 'Love Story,' the first single, Swift casts herself as Juliet pining for her starstruck lover: 'Romeo, take me somewhere we can be alone/ I'll be waiting/ All there's left to do is run/ You'll be the prince, and I'll be the princess/ It's a love story, baby, just say yes.' The song's video features Swift dolled up in Victorian garb with Justin Gaston, Miley Cyrus's model boyfriend, on loan to play Romeo.
Swift gets a few songwriting assists (Liz Rose, Colbie Caillat), but the album's most interesting songs are the ones Swift wrote alone. You can practically see the lyrics for 'Fifteen' scribbled in a diary, chronicling Swift's freshman year in high school. 'In your life you'll do things greater than dating the boy on the football team/ But I didn't know it at 15,' she sings with palpable regret. Hindsight apparently comes early for Swift

Seigle also played a key role in development of Youngstown as the superintendent of the Youngstown Sheet and Tube Co. and vice president of Federal Iron.
The historical value and old-fashioned charm of the property were everything the Rupes wanted for a place to call home.
Its just a beautiful house. Its got a lot of character more than you can see, said Jay Rupe

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